Monsters Unknown reaching an apogee of apoplectic

reaching an apogee of apoplectic rage on 'We Hate You (Little Girls)'

Midnight Oil released their debut album on their own

Want to know this microphone’s secret weapon

changed the future

Monsters Unknown reaching an apogee of apoplecticSophia Kennedys music sometimes sounds like a soundtrack to a world disintegrating, hanging on by a thread of memories. It combines the glamour and the morbid charm of tin pan alley show tunes from the 1960s or 70s, and yet it fully embraces the deconstructed modernism of club music. Her sophomore album Monsters is full of plot twists; moments of prettiness dashed with paranoia. The title itself, is a self ironic, comic like commentary of being an