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built with a loose and vibrant brushstroke that became his unmistakable signature
impressa da Fernand Mourlot per l’editore Emmanuel Tériade nel 1958
in order to achieve a state of enlightenment
some signs of handling
FONTANA LUCIO, Concetto spaziale Rosso, 1965 sculture built with a loose andPerfect impression in the second edition printed for the gallery il Quadro di Biella and published by Silvio Zamorani, Turin in 1982. First edition Prent, Utrecht, 1965. Perfect preservation, with untrimmed margins. Bibliography Lucio Fontana: engravings, graphics, multiples, publications, edited by Camillo Rigo and Harry Ruh, Ed. Reverdito, Trento, 2007, p. 124 ref. S 7.
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